CFP – Edited Collection – Equine Breeds
Abstracts due by October 15, 2017.
Illustrating common characteristics associated with a type of horse is an integral component of much equestrian writing from all time periods. Today such literature often focuses on the genetic and pedigreed components of horses. In 2009, for example, Fran Lynghaug’s standard guide book to North American breeds and associations argued that ‘In dealing with the genetic nature of animals, physical perfection can never be attained’. However, she continues, ‘the ideal standard is held up as the comparison of how close a horse can be to this ultimate goal.’ For Lynghaug, while a breed ‘standard’ can be envisioned, it can never be achieved. With that said, she concludes ‘Overall, the purest breeds typically contain many horses with common characteristics, for their gene base is proven and consistent. When a breed like this is mentioned, an immediate mental picture of what it looks like easily comes to mind.’ Within this philosophical framework, horses can never be the perfect Standardbred, the perfect Thoroughbred, or the perfect Appaloosa, for example, but they can look like them. They can pass, in their impure genetic states, as the real thing.
More than 500 years apart, Blundeville and Lynghaug both attempted to describe the indescribable, complex and ever-changing parameters under which horse breeders and owners have selected, rejected and joined their animals. However, both examples of breed literature indicate instability of what breed, or race, is. Who defines it, and to according to what parameters is it constructed, are matters that continue to inform debate today.
This collection will investigate how the concept of breed that underpins the contemporary horse industry developed over time. It will ask how ‘breed standards’ have changed and consider the wider ramifications of those changes. How are concepts of breed connected to the human cultures that produce them? What have ‘breed’, ‘race’, and ‘type’, meant over time? And how has equine agency effected these changing definitions? These and other questions relating to the history of horse breeds are the subject of this collection, which expands upon work by scholars such as Donna Landry, Margaret Derry, and Sandra Swart.
We invite chapters that explore the history and embodied experience of specific ‘breeds’ over time, and in a wide array of geographies and contexts. Scholarship that explore horses and ‘breed’ in non-Anglocentric equestrian cultures, or in pre-twentieth century historical contexts, are especially welcome.
Chapters should focus on specific breeds, but may address a range of topics that can include, but are not limited to, the following:
– Debates about definitions of ‘breed’, ‘race’, and/or ‘type’
– The politics of inclusion/exclusion in breed registries
– Breed development as a response to human history (political, social, economic)
– Animal agency and breed standards
– Science and breeding
Please send abstracts of not more than 300 words along with a brief biography, also of not more than 300 words, to Kristen Guest ([email protected]) or Monica Mattfeld ([email protected]) by October 15, 2017.
Chapters of 7000-7,500 words (inclusive of notes, using Chicago style) will be due June 15, 2018.
 Blundeville, The fower chiefyst offices belonging to horsemanshippe (London, 1565), Book 1, 13.
 Lynghaug, The Official Horse Breeds Standards Guide: The Complete Guide to the Standards of all North American Equine Breed Associations (Minneapolis: Voyageur Press, 2009), 7.
Image: Rijksmuseum, SK-A-1829, Horse Fair on the Maliebaan at The Hague, Cornelis Albertus Johannes Schermer, 1858